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This article was written by the New York Institute of Photography, America’s oldest and largest photography school. NYI provides professional-level training via home study for photographers who want to give their images a professional look, and perhaps earn extra income with their camera.
© 2003 |New York Institute of Photography |
















While plasma and flat screen TVs, home theater and very loud cars still
dominate the annual CES show in Las Vegas, digital photography is making
a more respectable showing every year. While new products in the digital
photography market await unveiling next month at the Photo Marketing
Show (also in Las Vegas, unfortunately) much of the talk was about trends
in technology and product convergence that we'll see in the coming year.
The evidence of so much still photography and imaging here at CES is
evidence that digital has indeed become a mass market item.
One of the keys to the kingdom is in the image processor inside the
digital camera. In brief, when a digital exposure is made the sensor
captures electronic, raw information, which is passed onto the digital
processing chip in the camera that analyzes and integrates that information
and coverts it to binary form. True, much work has been done on the
sensor itself, including the three-layer sensor from Foveon and the
Fuji and new Sony CCD developments. But even with improved sensor technology
the in-camera image processor is where the image hits the road, and
that's where some of the changes in the year ahead are promised.
One area that has plagued digital shooters is shutter lag and processing
time stall. Shutter lag is one of the main problems with family digital
photography today. If you have kids or take pictures of the grandkids
you don't have to have this explained to you. In short, by the time
the camera responds to your pressing the shutter release the picture
(and the kid) is gone. Landscape photographers never complain, but parents
have learned to anticipate a smile or a kid's movements if they want
to get the shot, or even the kid in the frame.
In sum, there's no question that digicams will become more responsive
to the touch, and to the eye. Kyocera has something called “R-Tune”
(for rapid technology) that helps their cameras power up in less than
a second, cuts shutter lag time (the time between release pressure and
a picture being made) to 0.07 seconds and lets you shoot at 3.5 frames-per-second
until you fill up the memory card in your camera. You can also do VGA
video at 30 frames per second, which is like real live motion pictures.
The current model to sport this technology is the company's SL300R,
but we're sure to see more such features from other makers as well in
2004.
What about camera phones? Some have predicted that they will in turn
erode digital still camera sales. Optimists in the digital camera corner
predict that picture phones will only increase interest in digital photography
in general, and that this will in turn mean more people involved with
photography than ever before. If image quality is of any importance
it's clear that camera phones are only toys, but everyone thinks they're
cool anyway. And some folks may be content with that quality (which
can only improve, as it can't get much worse, for prints, at least)
and have fun with it and forget about getting a digicam. So it goes.
At the show we got to play with the Concord Eye-Q Go wireless camera,
a 2-megapixel unit with Bluetooth that the company claims can download
to PDAs, laptops and eventually, camera phones. So you can now take
a picture with a digicam and send it to a phone and then beam the image
around. Or you can use the Concord and download from 30 feet away to
your computer.
Kodak also showed their picture phone enabled Picture Maker kiosks.
Camera phone users will be able to beam their images to a KODAK Picture
Maker using Bluetooth and infrared wireless transfer technologies, after
which they can quickly edit, enhance and print their pictures. We tried
this last month and it worked, although picture quality in the low light
circumstances under which we made the image was not very good. Hey,
how about a picture phone with flash?
Canon usually saves their still cameras for PMA, so they chose CES to
feature some affordable camcorders. For estimated selling prices of
$399, $499 and $599, Canon's Mini DV ZR80, ZR85 and ZR90 models are
what the company calls consumer-friendly. They also offer some amazing
zoom lenses: 18x on the ZR80, 20x on the ZR85 and 22x on the ZR90 models.
For those who wish to venture there, digital zoom gets the users an
incredible 360x on ZR80 model, 400x digital zoom on the ZR85 unit and
440x on the ZR90. Of course, the models incorporate an image stabilization
setup, but you might want to lash that 440X zoom shot to a very, very
steady tripod. The ZR85 and ZR90 models come bundled with Canon's DV
Messenger2 software Windows only that allows the camcorder to be used
for Internet Video Chat through IEEE1394 and using Windows XP's Windows
Messenger program.
One of our favorite image filing programs is Picasa. Though not as full-featured
as software such as Extensis Portfolio or ACDSee, it's an affordable
way to get a very good organization structure for all those images clogging
your hard drive. The recent addition to the program is something called
“Hello”, which allows you to share an image, or a bunch of images, with
a single click. It works with both hi-res and low-res images, and it's
free with Picasa installed. You can, of course, order prints online
or even give friends a gift certificate so they can order prints on
your dime.
break out the film shoebox to do those digital conversions. It's pretty
fast for even high-res scans. Called the DiMAGE Scan Dual IV it includes
something called the Auto Dust Brush, which is said to automatically
detect dust on the film surface that blowers cannot remove, and corrects
the image. Moreover, a Photoshop Plug-in has been added so that images
can be corrected in real-time using the bundled Photoshop Elements 2.0
software. Users can also select areas for correction and adjust the
processing level. This, we think, is very cool and a real step forward
in helping folks untangle what can be confusing scanner controls. Thanks
to improved sequences in the scanning process and the USB 2.0 interface,
high-speed operation including image transfer and display is possible
in only 21 seconds per image, even at the highest resolution of 3200
dpi. That's plenty fast!
one position with 30% of the U.S. flash memory market in October against
28.8% for the CompactFlash Card. In third place was Memory Stick, with
a 22% market share.
Olympus is continuing its product introductions around their E-1 digital
SLR system. At CES we got our first look at the new Zuiko Digital SpecificTM
11-22mm F2.8-3.5 wide-angle zoom lens (equivalent to 22-44mm on a 35mm
film camera). The Zuiko Digital 11-22mm F2.8-3.5 features two aspherical
glass lenses, with a new multi-coating process applied to the first
two lenses which can help remove ghosting and glare — problems often
associated with wide-angle lenses. The 11-22mm focusing system also
utilizes a floating mechanism, said to deliver sharp, high contrast
images up to the lens' closest focusing distance, 0.28m (11.02 inches)
at any zoom setting. The folks at Olympus told us that there would be
a continuing intro of lenses and accessories designed for the E-1 this
year. We asked them to confirm the rumors that they would also introduce
more amateur-oriented SLR bodies for the system at PMA, and we got the
usual Cheshire grin.
Sony has come up with an interesting take on mid-level digicams with
their new DSC-F828, part of their Cyber-shot® F-series cameras. The
new camera is encased in a black, magnesium alloy body, uses Carl Zeiss
T* optics and is the first to incorporate Sony's recently announced
four-color filter CCD technology and Real Imaging Processor. The camera
offers extensive manual controls, giving advanced photographers a broader
range of options in their digital photography. Briefly, the four-color
filter CCD is dubbed (RGB+E). It adds an emerald-colored pixel to the
filter pattern, which the company says delivers color fidelity that
is closer to human color perception.
A truly vexing problem for all of us is getting the image on the monitor
to look like what we eventually get out of the printer. ColorVision's
Spyder line of products seems to go a long way to help solve the problem.
You hook up the colorimeter to your monitor screen (it has a special
soft shoe for LCD screens) and run the software. The wizard guides you
through the setup process and, with if you are using one of the Spyder's
advanced packages, will allow you to make and scan a print (with their
supplied scanner) to generate great color profiles, which you use when
you print. We've tried it and it's worth the price in saved paper, and
frustration alone.